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Nira
Dabush Berkovitz
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Life is a creation full of endless possibilities, which are, in fact, derived from inspiration
from life itself. If we look closely, listen, absorb, think, examine, process the data in our
minds – we can create. The more we create, the more we are inspired to create
more and more, to live a life of fulfillment. Thoughts in one area spark creativity in other
areas. All that remains is for us to choose possibilities most suited for ourselves.
Sometimes the choice can be somewhat easy, other times it can be as difficult as pangs
of childbirth.


Sources of inspiration, as I have mentioned, are endless. Nature, to my mind, is the most
wonderful and fascinating creation of all, as it is to many of us. From it I take pleasure, I am
filled with admiration, and I absorb it all inside myself, process it, and from the inspiration
I get, I create.
I draw inspiration for my creativity also from various artists, design areas, music, my feelings
and even from my dreams.



Flashes of pictures from my childhood from the 1970’s occasionally appear and form a part of
my inspiration for different pieces
The apartment in Ramat - Gan, of average size, very decorative, in which I grew. Everything
blends in so well and colours match perfectly. In the entranceway to the apartment, a low mosaic
table, made by my father, above which sits an aquarium, beside which is a decorative metal
partition, also hand-made by my father, with geometric motifs consisting of squares or circles
inlaid in coloured Hebron glass, in shades of green, deep blue, oker, brown and turquoise.
In the lounge, a table of wooden legs, and a tabletop inlaid with green glass, above which is
a rich lampshade, handcrafted with lots of pieces of glass in shades of
green and yellow with
small patches of brown. Sofas in shades of brick red next to an oriental carpet, bordeaux and
oker. Greenish textural wallpaper next to other circles patterned wallpaper in orange and brown.
In the entrance hall, a decorative wooden wall, against which stood a piano, above which was
a designed napkin a clock and some decorative items. Wooden images and lots of decorations.


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On
the walls ,were original pictures ,which were always bought from artists or in
auctions.
lounge, which was extended onto the balcony, into which green windows were fitted, ceramic
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window boxes in green and yellow had red geraniums popping out. In this extended
part of
the lounge a large, round dark brown wooden table was placed, and around it six velvet
- cushioned chairs speckled with orange, green, and brown above which was an orange

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lampshade whose height could be adjusted.
The magical musical jewellery box from the far east which my mother received the day
I was born, a box contained, in particular, cheap plastic jewellery or coloured crystals in various colours.
A box, I very much loved rummaging around in, the drawers of which I would turn over and,
if I could, I would pull apart an old useless item and make it into something else.
In the base of that same magical box was a spring, which, when wound up , the two doors
opened, music was heard, and a small dancing doll, reflected in seven mirrors, danced like
eight dancers.
The Cloths...Cloths my mother would customarily sew for a hobby. I remember accompanying
her for years to the same shops to help her choose cloth. Left-over cloth would be passed
on to me, from which I made clothes for my dolls, and later on I also stitched them up to make
stuffed dolls.
Sounds , those same sounds and also wrong notes , that resounded from various musical
instruments, as from my stereo player.
Smells
and a rich selection of dishes that came from my mother’s kitchen.
All these and more reside in me and penetrate my work from time to time.
Through my work, I see myself making a decorative statement. Through my works,
I express the small pleasures in my life in this world. By making, I get a lot of pleasure,
as should the beholder of my works. The pleasure of the beholder is an added bonus for me.



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